THE SHAPISTS : MUSIC COLLABORATION WITH JILL BRYSON AND HER DAUGHTER JESSIE
15th June 2015 "The warning" and "Dust index" 7 inch vinyl is available for purchase on Bandcamp.
12th June 2015 Jill is interviewed about the vinyl and The Shapists on Revenge of the 80s radio
6th June 2014 "Daddy I'll drown" is available for listen/purchase on Bandcamp here.
28th March 2014 "Trees and flowers" is available for listen/purchase on Bandcamp here.
3rd February 2014 "White horses" is available for listen/purchase on Bandcamp here.
13th December 2013 "Dust index" had its first worldwide airing on Revenge of the 80s radio
13th December 2013 "Dust index" is available for listen/purchase on Bandcamp here.
30th September 2013 The Shapists now have a facebook page.The Shapists
28th September 2013 "The warning" had its first worldwide airing on Revenge of the 80s radio
31st August 2013 "The warning" is available for download on Bandcamp here.
2nd August 2013 "In my head" is available for download on Bandcamp here.
27th July 2013 "King of the world" had its first worldwide airing on Revenge of the 80s radio
19th July 2013 "King of the world" is available for download on Bandcamp here.
6th July 2013 "Change your mind" is available for download on Bandcamp here.
5th July 2013 "Change your mind" had its first worldwide airing on Revenge of the 80s radio
Jill is being interviewed on the show and talks about her artwork, The Shapists and other Strawberry switchblade related stuff too.
10th July 2013 I started building The Shapists website.
Around the year 2000 I recorded a girlfriend's basic song (guitar and voice) and made it into a complete song with drums, bass, synths etc.
I deliberately tried to make the song sound similar to Strawberry switchblade (One of my all time favourite bands).
On March 18th 2013 I started a musical collaboration with Jill Bryson from Strawberry switchblade, so you can imagine how amazed I was to be in that position.
Jill is currently in London and I am in Fife so we worked via the internet. Jill recorded her guitar, melodies and harmonies and Jessie's melodies and harmonies.
I then added my own guitar parts, drums, synths and harmonies. I was also involved in arranging the songs and making some changes to lyrics.
I've probably done what a producer, sound engineer, musician and arranger would do to eventually end up with complete songs.
Me and Jill used teamviewer online meeting software a lot to talk about and work on the songs including some recording sessions where I have been a virtual producer.
In a couple of the songs Jill is playing the very same melodica that was used in the excellent Strawberry switchblade song "Being cold" which was written by Jill.
Jill also plays her Guild guitar on some songs which was used on Strawberry switchblade's album and can be seen in a few of their videos and TV appearances.
Jill's daughter Jessie Frost (from her marriage to Frog from the band The farmers boys, another band I like a lot) is also singing and has a nice voice that's very similar to Jills.
This is Jessie's first experience with recording, I hope she continues to be interested in music as she comes from an exceptionally good musical pedigree.
The songs have lots of changes and they all keep building to the end.
"Dust index" and "Daddy I'll drown" were both originally written by Jill soon after leaving Strawberry switchblade in the mid 80s.
They were recorded onto a demo tape using a different producer/musician and had backing vocals/harmonies from Jill's friend Robin Brown.
So we've recorded our own new versions of those two songs.
"White horses" is our version of the UK theme song to the 1965 television show "White horses".
"Trees and flowers" is our version of Strawberry switchblade's first single which came out in the early 80s. The chords melody and lyrics were written by Jill about her agoraphobia.
It's one of my favourite songs of all time so I was a bit worried to say the least about working on a new version.
I am completely self taught and just basically a home recording guy. The original song was professionally produced at great expense so there's no way I could compete with that.
I aimed to end up with a different or alternative version of the song, and I changed the ending to repeat "I get so frightened" instead of the "Ba ba"s.The Shapists
Click on the donate button to give Craig Hood some money for no reason at all.